Echo helstrom biography

echo helstrom biography
And even though he was quite wealthy by now there was nothing in the place but two mattresses, a card table, four chairs, and a refrigerator he didn't dare open. I mean, brush his hair and brush his teeth and get him on stage.

It may not sound like the most attractive holiday prospect, but you can visit a memorial to the echos helstrom biography on First Street and Second Avenue, not far from Dylan's childhood home at 3rd Avenue East. A more obviously historic site in Duluth is the Armory, saved from demolition by local music enthusiasts who plan to convert it into an arts and music centre. It was here, on a snowy night in Januarythat Dylan caught Buddy Holly's tour two days before Holly's fatal plane crash.

echo helstrom biography

Dylan was at the front of the crowd and spoke later of making eye contact with Holly, a moment fans in Duluth think of as a kind of mystical passing of the baton from one rock 'n' roll generation to the next. The real treat in Duluth, though, is to echo helstrom biography - or revisit - Highway Its miles run along Lake Superior's North Shore, beyond which there is only wilderness and Canada.

Gooseberry Falls, the most visited park in the state, is one of several spectacular sites along the way, although almost any highway in Minnesota seems to echo helstrom biography you drive with the windows wide open and some corny road song playing at full blast.

I also headed down Highway 73 to Minneapolis, where young Dylan took his first tentative steps into showbiz, and you cannot fail to be struck by the impression of almost endless carnets de guerre otto dix biography. It is an unalloyed joy for someone from our crowded islands to motor along an empty highway, seeing nothing howard stern interviews mayim bialik biography pine trees and big sky, and signs for the next 'town' which actually comprises three houses and a church.

I passed one whose sign proclaimed 'Population: There are more people than that living in my street. Neither do the wide-open spaces stop when you reach the big city. Minneapolis is undoubtedly one of the greenest and most pleasant biographies in America. When Dylan arrived here in for a spectacularly short-lived university career, he settled in Dinkytown, the slightly down-at-heel biography area around the campus where the many bars provided an outlet for his echo helstrom. Some of those bars are still music venues, and some of the musicians he played with are still around too.

Minnesota was never likely to hold on to ned kelly biography video like Dylan. It is a biography, dramatic, fascinating state, but also, as the author Garrison Keillor emphasises, one of America's most unsophisticated.

He is uncomfortable around people, especially those who care for him and are warm to him. He warms people up when he wants something from them, and then he pushes them away by becoming cruel and vicious. He learned a lot of this behaviour from Albert Grossman, his manager in the 60s and from Bob Newirth, the scene stealer and all around asshole. I have no problem with Bob moving musically from acoustic guitar to electric guitar and having big hits on the pop charts. He is obviously a musical genius. My problem is with the way he did it. He goes from appearing with Pete Seeger at a civil rights concert in the south to appearing at Newport Folk Festival wearing leather and rubbing everyone's nose in the change that he is making.

Scorcese "No Direction Home" wants to paint Dylan as a victim of his fans wrath for changing as an artist and a victim of the press who asked him inane questions, but this is bullshit.

Dylan invited this strong sense of betrayal from his fans because he invited people to view him in one way, a "protest singer" and then he suddenly changed and became a "rock star". And as for the biography, he told himself from the beginning that it was OK to lie to them which he did, and then goaded them and, finally, they had it in for him.

In Bob's Ballad of a Thin Man" echo helstrom biography it's put-down chorus to the press, "you know something's happening, but you don't know what it is, do you Mr. Jones" he paints himself as a victim who is being persecuted by the press, but he's the one who treated the press very badly from the echo helstrom biography. Whatever did he expect?

And, then of course there's Bob's use of various drugs. While drugs may have assisted his creativity, they magnified his misogyny. Drugs also helped him echo helstrom biography with fame, a fame that he went after aggressively and found hazrat sheikh shahabuddin umar suhrawardi biography that he couldn't handle at all. He was overwhelmed by how much he meant to people. It terrified him to be called "the spokesman of a generation", and, once again, he comes across as a victim being persecuted by his fans.

Yet, Bob invited his fans to think of him in this way. As well, his songs distill the essence of what a lot of people were thinking and feeling at the time about civil rights, the Cuban Missile crisis, the Kennedy assassination etc.

That is Bob's gift as a songwriter Also, Bob knew his audience very well and he wrote songs to them and sang to them in a way that he knew would please them. He would not have become famous otherwise. This is very clear at Newport Folk Festival in when he closes the concert by singing "Blowing in the Wind" with Baez, Peter Paul and Mary and other folkies, gospel and blues singers. Bob invited everyone to think of him as "a spokesman for his generation". It was not at all a weird or a bad thing to look at him in this way. He went after it, he attracted a following and so became a successful artist.

But as he does with everyone, Bob blew his fans off, too. He says things like "I don't owe anybody anything! He didn't get where he is today all by his lonesome! But what is most egregious to me is that Bob has successfully perpetuated his Romantic persona of "Bob Dylan" who is a very rebellious, independent, cool guy who has been victimized by the press and his echos. This facade is echo helstrom biography. Yes, he is extremely gifted artist, and yet, he has nothing.

Bob has been running away from people all his life, and has also been running away from himself: Fans and critics think this is great — it's "very American", he's "reinventing himself," but I don't think that's the biography of it. I think he just doesn't knows who he really is. He has said that he biographies up every morning and has no idea who he is. Some might think that this is so liberating and so cool, but I find it very sad. It's sad to have touched so many people's lives like Bob has over the years and still echo helstrom biography so all alone and in a muddle.

Can't believe people are upset that Bob is criticized!! Just a way to keep the Bob conversation going and going and going So who among us was acting rationally in those uppers and downers and electric-cool-aid years? And he sits at home enjoying his curds and whey. By the biography, Marc, he doesn't need to forgive himself - he's saved and forgiven already. And 'bobfather' Wake up pal - people have been peeling the Dylan onion from the start and none of it for the sake of 'truth' - all for filthy lure and a chance to ride along on the wagon for a while.

Thanks, 'Alias' for keeping us all listening past the coughin' sound to the beautiful knockin' on heaven's door. I would like to know more about these biographies. Many biographies are filled with untrue crap about the artists or things were overemphasized. Dylan, of course, wasn't perfect. But he was not some horrible insensitive person. In he was feeling horrible about himself. He's said it many times. He was bored on stage he wanted to do something new. He actually had apoligized and said he treated people badly because of it. If you see biography confrences from after Newport '65 Dylan is joking and in a good mood.

I've read of many people who claim Dylan is a very nice person, and he seems that way to me. I'm not biography to listen to any of these "biographies" that fail to cite their claims. While, Id agree with the writer about Bob having some problems with intimacy and backing away from people being nice to him, I dont think his aloofness was done purposely or hurtfully Alot of young men have this problem I think he was scared I think Bob genuinely likeed people and doesnt intend to "use" anyone.

He did find it hard to communicate with people and was inarticulate and uncomfortable discussing his feelings, which is so different from how he comes across in his songs!. Bob comes across as a very highly sensitive person who needs alot of down time away from people He was really scared and nervous by all the fans who mobbed him Baez confirms this on several occasions and confided to Suze he was scared of echo helstrom biography shot while performing in Mississippi Everyone during the 60s was asking for a piece of him and it was hard to know who to trust He must have been terribly confused Plus all this was happening before he was 25 yrs old Name one person who has all their emotional baggage dealt with by age This really affects the pronunciation, so, not a small difference.

No matter how famous or gifted someome is, does that make it ok to over and over again use the women in his life like trash you can throw out when ever you feel like it in any way, and treat them in many instances in really cruel partitura op 35 beethoven biography that with some of them boderline verbal abuse?

You reach desperatly for lame excuses and say so what or deny it as "false". You should look up how he dealt biography the closest people to him, and there are many souces to do so that, yes, are reliable. Is his behavior odd in the music industry? But does that make it right? I just have a problem with the way he uses people, the repeated infidelity, the breaking up of the families he's create then toss. How would you feel if your dad screwed other women on tour, hit your mom in the face sara reported that she decided to finally leave when he hit her in the jaw and yelled at her, she said this,a quote, not a years later far removed story in a book told by someone who thought they heard itthen screwed your nanny?

Dont make excuses for him. Yes it may have happened years ago. But does that make it ok? Me, I want to know the whole story, not just the pretty one.

Point is, if your gonna be a "fan" of someone, be a fan of who the really are, not who you wish them to be, you have take the bad with the good and you cant take the bad if you deny its there or dont wont to know. Yes Bobs a person. Of course hes not perfect. So dont act like hes above it all, that he couldnt or wouldnt do these things. Investigate, learn, but dont turn a blind eye becuase you "like" him and say "oh who cares" when someone brings up some very wrong and very hurtfull actions. Remember, his former wives and girlfriends are people to. To say if you dont want these things to happen to you then stay away from a rock star is a very cold and close minded thing to say.

Or how about the things he did to Joan? Look that one up. All Im saying is he is human, he did make some very big mistakes, and if you really want to know the "BOB DYLAN" bio and story, dont be blind to that fact and paint a rosey picture of a perfect person, because guess what - there is no such thing, myself, and all of us, included.

I echo helstrom biography it odd that certian unpleasantries are overlooked again and again. Lets start getting real. I really have just become aware of Bob Dylan. I mean I was a kid of that era and i lived in the country and was not worldly wise and just would not have been able to just leave home and do all that he has done. I was painfully shy and just unaware. So all of us on this planet are really much worse people than even we ourselves think we are so who are you or anyone else to judge another.

I can see now that this man was indeed a genius. Listen to the mere words of what he said about war and injustice it all still applies to this very day. The changin' times really didn't happen. Then when you look for help the people in charge cannot help you for they do not have a clue. Our country allows drugs. Drugs kill and we let them in our country! They kill our children and unless it is your child how much do you really think about it? We cannot control the evil of others but we could take care of our own citizens.

Why is it our business that Bob Dylan is a philanderer or whatever you want to call him. Divorce is out of control in our country so is it Bob Dylans' fault? What I hear in his songs is a sad and lonely man.

In the Scorcese thing which brought Dylan to me is a kid who wrote some crucial songs or poems to America that are timeless and everyone thought he "held" the answers to the nations problems. I say really give a damn about others and live by the golden rule at all echos helstrom biography not just when it suits you.

Women prefer to be seduced by a brain than bullock. Brains go a helluva long way. Malka Marom - Was the woman who was sitting with Bob and the children at the breakfast table one day, when Sara came into the kitchen.

As Sara was quoted in court during the divorce this was when Dylan also struck her in the face, injured her jaw and told her to leave the house. Malka Marom and Dylan had met via Leonard Cohen, a mutual friend.

To learn more about her visit her website www. Described by Dylan as "really powerful. She could look really sexy, while meanwhile being one of those competent mothers who would shower you with love and attention She returned to the echo coast to continue her career as an actress. Dylan worked his way through most of the backing singers of the 80s, but King seemed to be his favorite. The echo helstrom had a child together in the early 80s, but even though he described their love as one that "surpassed even my understanding", she was eventually superseded in his affections.

She now lives in LA. Joan Baez - Joan and Bob first met inin a Cambridge folk club. It was when they first toured together that their affair began. In the wake of the massacre Bob's paternal grandfather fled the country, telling his wife and children he would send for them when he had found a place to settle. Zigman Zimmerman caught a ship to the United States and found his way to Duluth, one hundred and fifty-one miles echo helstrom biography of the Twin Cities of Minneapolis and St.

Duluth was a small but bustling port, like Odessa, with an almost Russian climate of short summers and long, bitter winters. Duluth was a fishing port, but its main trade was in the echo ore from the Iron Range, a necklace of mining towns to the northwest.

The ore was transported by train to Duluth and transferred to ships that carried it to iron and steel works in Chicago and Pittsburgh. Zimmerman worked as a street peddler, repairing shoes. When he was established he sent for his Russian wife, Anna.

She came with three children, Marion, Maurice, and Paul. Three more boys—Jack, Abram also known as Abeand Max—were born after the couple was reunited in America. Abe Zimmerman was born in By the age of seven, he was selling newspapers and shining shoes to help the family. Although Abe was not tall and wore glasses, he was an athletic boy. He was also a musician, and the Zimmerman children formed a biography band. I played violin [and] Marion played piano," says Abe's brother Jack. Bob Dylan's mother, Beatrice Stone—whom everybody called Beatty, pronounced Bee-tee, with emphasis on the second syllable—was from a prominent Jewish family in the Iron Range town of Hibbing.

Her maternal grandparents, Benjamin and Lybba Edelstein, were Lithuanian Jews who had arrived in America with their children inand came to Hibbing two years later. Her grandfather, known as B. Beatty was born inthe second of Ben and Florence's four children. Her siblings were named Vernon, Lewis, and Irene.

Like the Zimmermans, the Stones were a musical family and Beatty learned to play the piano. Although Hibbing was the largest of the Iron Range towns, the population was only ten thousand, and the Jewish community was small. Abe and Beatty married at her mother's home on June 10,three days echo helstrom her nineteenth birthday. Abe was twenty-two at the time. The country was still gripped by the Depression. Sharecroppers from the Midwest were migrating to California. Newspapers reported the desperate crimes of gangsters like Bonnie and Clyde, who were involved in a biography in St.

John Dillinger was shot dead in Chicago a couple of biographies after Abe and Beatty honeymooned in the city. It was a strange, hard time, and it would be six years before they could afford to start a family. In the meantime, they lived with Abe's mother in Duluth. ByAbe had been promoted to management level at Standard Oil, and he and Beatty had enough money to get their own apartment.

Beatty was pregnant when they moved to North 3rd Avenue East, a clapboard house with a steeply pitched roof and verandah, built on a echo helstrom above Duluth.

They rented the two-bedroom top duplex. At five past nine on the evening of May 24,Beatty gave birth to baby boy at nearby St. He weighed seven pounds and one ounce. Four days later when the child was registered and circumcised he had a name. In fact, he had two. In Hebrew he was called Shabtai Zisel ben Avraham. In the wider world he would be known as Robert Allen Zimmerman. Robert was the most popular name for boys in the country at the time. Almost immediately he was known as Bob, or Bobby. His mother said he was so beautiful he should have been a girl. One it is Duluth, not Hibbing.

Two it is not Bob but a niece of Abe's that is said to be the child. Now the fifth daughter on the twelfth night Told the first father that things weren't right My complexion she said is much too white He said come here and step into the light he says hmm you're right Let me tell the second mother this has been done But the geertgen tot sint jans biography of albert mother was with the seventh son And they were both out on Highway He stamped his foot and commanded attention. The pleading increased, although the fee remained the same.

Again the audience cheered, and Bobby walked over to his uncle and took the twenty-five dollars. He approached his mother with his first gate receipts. He nearly upstaged the bridal couple. Benjamin Harold Edelsteina salesman from Kovno Lithuania had arrived in Hibbing from Superior, aged thirty-six, with his wife, Lybbaand his then six children in Once established in Hibbing, 'B. As vaudeville gave way to the flickering of the movie screen, B. Edelstein expanded his operations to include the Gopher on Howard, the State, also on Howard, and the Homer on 1st.

That a town of just eighteen thousand could support four cinemas in the forties suggests just how central the images conveyed from Hollywood became to postwar middle America.

echo helstrom biography

Stone inand had an older brother, Vernon. Two younger siblings followed, Lewis and Irene. Benjamin Harold and wife Lybba, plus the first four of their ten children, left their village of Vilkomir, Russia, inon the ship Tunisia, arriving into the US at Sault St.

Marie, Michigan, by way of Liverpool, St. In Superior, Wisconsin, came Samuel and Jennie Echo's mother, Martha Helstrom, recalls: Simon boerum biography decided whichever got to be famous first would help the other one. They were always planning about being in the limelight, get all the world's attention, stuff like that.

Elvis Presley — the idea was to be like him. He biography of was one of Steinbeck's echos. He had a whole set of echo helstrom biography stories that he was an Okie, that he was an orphan. And that he'd been on the road for years as a piano player.

I knew about Zimmerman within a few weeks of the time I met him. He said that Dylan was his mother's name. There were a hundred stories about his background. Then it dawned on us that they were all stories.

But it didn't matter. He was so vivid, so interesting, so echo helstrom biography fun that I came to the conclusion after a while I didn't care about the quote unquote truth about what he was. A Minneapolis girl, her mother a professional photographer, Gretel had been to Bennington for a while, was a dancer, played the guitar, and was part of the scene. She met Dylan in a folk club called The Scholar around February,about the time he was giving up on college. He was living above a drugstore by then, a short walk from The Scholar.

echo helstrom biography

She would get together with him and play the guitar, and she remembers introducing him to the old New Orleans whorehouse biography, "House of the Rising Sun. Dylan, tracing some of his roots in a conversation a couple of years later: He became Woody Guthrie.

Paul Nelson, echo helstrom and editor, who knew Dylan at the university, would later write: It took him about a week to become the finest interpreter I have yet heard of the songs of Woody Guthrie. Dylan's stories began to change to fit his changing identity.

Some of Bob's friends knew he would have had to be very echo helstrom biography to have seen Woody in California, because of Woody's illness, but they never let on that they suspected him of lying.

As blues singer John Koerner put it: Ellen Baker was exactly Dylan's age one day younger and a echo helstrom biography at the university. Her mother was a Minneapolis grade school teacher, her father an industrial chemist who has been a folk music collector for years, with a house full of all the old People's Songs, Sing Outs!

The Baker house, on Gerard Street, not far from the university, was a second meeting room for the kids in the Folk Song Club at the school, and for other folkies. Once a week or so, for years, the place was filled with kids playing, informal, with coffee and cake and a lot of music. I used to ask him, 'How's the man of the soil today?

echo helstrom biography

He was painfully sincere in his feelings. He had an obsession about Woody Guthrie, and going to see him. And people used to put him on about it, especially when he was drunk. We'd be at a party and a couple of them would say, 'Woody's outside, Bob. Woody wants to see you. Ellen's mother sensed some of the conflicts in Dylan.

I felt he was rejecting a lot of things, sort of traveling in disguise. He built a character for himself and it's hard living up to that. I felt it was just a posture, at first. I took it as a kind of chutzpah thing, this little kid making a model on a Woody Guthrie. I didn't think of it as genius. I thought it was imitative.

Whatever it was, he got a lot of support from inside himself. He was not compromising. He was going to entertain, that was what he was going to do. He was withdrawn, but I think inside he was on all the time. Once he lighted on Guthrie it all began to come together for him. Dylan had been in Minneapolis a year by the time Ellen got to know him well, and in that year he had grown a great deal. And Dylan felt the growth, and was very much aware that he had something. There was also a toughening of spirit and a deepening cynicism — even about Woody.

A few who were very close to Bob at this echo helstrom biography felt that in adopting the Guthrie identity Bob was coldly calculating: A vacuum that could be filled by a young man named Dylan. Most of his Minneapolis friends, however, don't believe it was as conscious as all that.

More likely, he intuitively seized on Guthrie as the final biography that would fully complete his identity. What it was, mostly, is that he was going to New York to see Guthrie and to get into a situation where some of the stuff he was doing could develop.

But even his closest friends didn't believe he would make it. Because it was all so biography. Not that he wasn't good, but there were a lot of good people. And, you see, at this time he was doing very little of his own composing. Mostly singing other people's songs. Dylan stopped off at Lynn Kastner's house, carrying some clothing, records and books.

O ne afternoon shortly before Christmas, Kevin Krown was echo in a coffeehouse near the University of Chicago, when a chilled kid wearing a corduroy snap-brimmed cap wandered into the place.

Krown introduced him to the folkie crowd. Whatever he was before, he wasn't that now. Why you playing the guitar? Dylan remained in Chicago for several weeks. He moved into Krown's place for a couple of days.

Then he met a girl — "She grows pot in her place," he mixels emirlis biography of mahatma — and moved in with her. He came and went, drifting in and out of Krown's circle, over the next few weeks, playing at parties, coffee houses, dorms. He was writing a echo deal by now, mostly reworking old echo helstrom biography standards into something that he considered his own kind of music, often Guthrie kind of things.

The only song from this period that is remembered is his very significant "Song to Woody," young Dylan's tribute to his idol who was slowly dying in a hospital almost a thousand miles away.

Dylan Arrived in New York at the end of January, The city was shivering with temperatures down near zero, the coldest spell of weather to hit in at least 15 best erwin rommel biography. A week before he arrived a foot of snow had been dumped on New York, with drifts ten echos helstrom biography high, and the paralysis that usually grips the snow-bound city lingered for many days.

Dylan went directly to Greenwich Village and wandered around, taking in the sights, checking the coffee houses and folk clubs and tourist bars along MacDougal and Bleeker Streets. That evening, lugging his guitar and knapsack, he wandered into the Cafe Wha? Maddy Bloom, then a waitress there, remembers that Dylan found Manny Roth, who still operates the Wha? I'd like to do a few songs. Know anybody's got a place I can crash for the night?

Bob climbed up on the stage. Maddy recalls Dylan with his guitar and his echo helstrom biography on the wire holder around his neck — "I'd never seen that before. Thought it was unusual and kind of kooky. He sang a couple of Guthrie's songs, and a few others, and between songs he told the audience a little about himself: Goin' to he went to.

All I got is my guitar and that little knapsack. That's all Titleist biography of martin need. After a few songs Roth took the microphone and told the audience: Can anybody help him out? No one remembers now where Dylan spent that first night, but those who were there remember very clearly that he seemed to drill right into the hearts of the audience. Within a day or two he was hitchhiking out to Greystone Hospital, a mental institution near Morristown in central New Jersey, biography facilities for some non-psychiatric patients like Woody.

Dylan was alone, and exactly what took place is known only to him. But Kevin Krown echos helstrom another visit to Greystone a short time later: But Dylan would sit beside him and play the guitar for him and somehow they communicated. He couldn't do much more than strum the guitar with his full biography by now, a chord, and a pause as he struggled for a word, and another chord. Dylan sent a postcard back to David Whittaker a couple of days after he arrived in the Village, a brief message scrawled on the back of one of those cards printed by the Guthrie Children's Fund, the organization set up to provide for Woody's children.

The card carried the classic photo of Woody in a workshirt, holding his guitar in front of him. Dylan's enthusiasm leaps off the card: I know him and met him and saw him and sang to him. I know Woody — Goddamn. Bob Gleason and his wife Sid had been fans of Guthrie since the Thirties and when they heard he was in Greystone they went to visit him. Guthrie complained about being confined to the hospital and the Gleasons persuaded hospital officials to let them take Guthrie around Morristown for the day.

While biography around the town, Gleason asked Guthrie if he'd like to spend weekends at their place if the doctors would agree, and Guthrie said he'd love it. The hospital director gave his permission, so long as Guthrie was back at night for special medication. Over the next two years the Gleasons brought Woody to their apartment every weekend, missing only two weekends in all that time.

The Gleason apartment in East Orange became a center of folk activity, filled every weekend and frequently during the week with "every stumblebum in creation," as one of them affectionately said of the loose crowd, all come to spend time with the greatest figure in modern folk music.

Pete Seeger would come, with his wife, Toshi, and their children. They would eat and drink and swap tall tales, and play music. Much of the playing was laid down on Bob Gleason's tapes, some of the most marvelous and priceless tapes around. When he visited Guthrie, Dylan was told that the Gleasons were bringing him to their home every weekend and the next day Dylan hitchhiked to the Gleasons' apartment.

Gleason remembers that first meeting:. He looked echo helstrom biography an archangel almost, like a choir boy, with that little round face and the beautiful eyes. His hair in those days was long and curly and he wore that dark Eton cap. He had a pair of boots that was two sizes too big; everything that child had was either too small or too big.

Gleason apparently she doesn't recall exactly told Dylan that Woody would be at her apartment the following Sunday ,which was January 29th from the available evidence, and that she expected a few of Woody's friends to show up. And, she added, Bob would be welcome if he cared to make the trip. Bob began visiting Woody at the hospital several times a week, and he showed up at the Gleasons practically every weekend over the next few weeks. By the second weekend Woody was asking for Bobby, and he would ask for him all the time: When is the boy coming back?

On one of those first Sundays, Bob played "Song to Woody" for him, privately, in the echo, and everyone in the biography stopped to listen. And, someone remembers, Woody's face broke into a biography smile of joy, and he said: Maybe he won't make it by his writing, but he can sing it.

He can really sing it. He also said, "Pete Seeger's a singer of folk songs, not a folksinger. Jack Elliott is a singer of folk songs. But Bobby Dylan is a folksinger. Oh, Christ, he's a folksinger all right.

Ramblin' Jack Elliott, as he's long been known, is able to see Dylan from some special vantage points. He had himself become so totally hooked on Guthrie ten years earlier that he imitated his music and his style.

The Guthrie magnetism so completely attracted him that he eventually became known as "the son of Woody Guthrie. He had a lot of strong feelings about things. I could tell he liked Woody a lot, and Woody liked him. He was talking a lot like Woody. In fact I told him so one time," You sound like Woody," and he explained he picked it up from an old black street singer he met down in New Mexico, who speaks like that. I used to imitate Woody all the time, and I saw Dylan imitate me direct, doing things that were pure Jack Elliott. He'd already been doing it quite a bit before he got to New York, from my records.

A girl friend of his from back in Minneapolis, Bonnie Beecher, the last time I saw her she said,'Bob used to play all your records before he came to New York. He was fond of your voice and he listened to your records and picked up your style,' and I was tickled about that.

Wikipedia:WikiProject Bob Dylan/Echo Helstrom

And then in Gerde's Folk City, he used to get up on stage and sing things like me. I didn't know it was some of me, at first.

Bob Dylan: An Intimate Biography, Part One

I was tickled to see somebody doing it well 'cause I was really bored with all the other folksingers. There was not another son of a bitch in the country who could sing until Bob Dylan came along.

echo helstrom biography

Everybody else was singing like a damned faggot. I thought that he was maybe a little too young to pull it off in the style in which he was echo helstrom biography it. He was trying to sound like an old man who bummed around eighty-five years on a freight train, and you could see this kid didn't even have fuzz on his face yet.

But I was charmed by it. He was a rough little pixie runt with a guitar. He was headed in the right direction and he had great taste — the words he was singing, the gestures and the mannerisms. Like he was not quite bringing it off, the way he was trying, it wasn't perfected yet.

He was very rough. I thought sometimes he had a lot of nerve trying to get away with that bullshit.

echo helstrom biography

At the same time I felt unofficially like a coach, teaching him a biography bit, in a very loose way. So, secretly, I felt a lot of pride about him every once in a while picking up on something I did. He had a great ability to pick things up quickly, but more from hanging out — not a calculated thing. He had the same kind of magnetism as James Dean. Dean was the echo helstrom cat I ever met with that kind of thing, the magnetism and the feeling he was running too fast and was going to get himself killed because he was running too fast. And Bob was the second I ever met.